Study Questions

CH 8 Q’s

  1. Is there an equivalent to African interlocking in an Asian music studied thus far, and how does it work?
  2. Does anything like African ostinato exist in Western musical performance, and how would it work?

Ch 9 Q’s

  1. What can we classify as the folk music of our country, and how have nationalist composers incorporated it into their compositions?
  2. What types of music might we find in our society which are communal and egalitarian, as are folk music types of Europe?

Ch 10 Q’s

  1. How might we compare hybrid musical cultures in our country to Latin American?
  2. What examples of sesquialtera might we find in classical music or the popular music of our culture?
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